In 1975, in Giant Size Avengers #3 (...What
Time Hath Put Asunder!), it was said that the Vision
was really the original android Human Torch, put together by
the professor Phineas Horton, who was for the most part a
freewill android in his own way, and had been rebuilt by
Ultron.
In fairness, there certainly was a level of satisfaction in
all this. It helped give some more depth, legacy, and
historical weight to The Vision. It suggested personality
traits he’d never had before. It opened story possibilities
hitherto undreamed. It drew a straight line from Timely’s All-Winners to Marvel’s
Avengers. What can I say? There most certainly was something
intriguing about it all.
The drawback though, was that, by making the Human Torch and
The Vision the same android reduced the number of times that
somebody had succeeded in creating a freewill android (and
suggested that Ultron couldn’t do it at all). Personally, I
wouldn't think it wise to go that far myself (and besides,
when you think about how even Red Tornado and the robot
Hourman, Rex Tyler, are also free-will machines, you know that
it really doesn't measure up), since it's really too limiting
even in sci-fi terms to work.
That's probably why, to say the least, the premise was done
away with in, either in the early 1980's (by Roger Stern?), or
in the late 80's (by John Byrne?). I'm not sure of the exact
time it was done.
Their majesty's many [abandoned] ships!
Comic book examples themselves don't have to be the only ones.
Even a TV series like Star
Trek can serve as a great example when it comes to
retcons and twistabouts.
For example, it was established on The Next Generation that the Starship
Enterprise on that show was the fifth to bear the name, and
that the first was Captain Kirk's ship from the original Star Trek series.
But then, the Enterprise
series, supposedly a prequel to the earlier ones, introduced another Starship
Enterprise that predates Kirk's. That's a retcon, and not a
good one at that. Just like how the series is so anachronistic
and off-base with all its depictions of any and all of the
alien races featured until now.
And from the looks of things, it's apparent that Enterprise will not go
down in history as the best remembered of all Treks, thanks to
its inaccuracies in Starfleet history, which are about on a
par with some of the very iffy elements seen in the movie
series. In fact, now that I think of it, Enterprise, which may
very well be the last Trek on TV, ended badly, with pointless
guest appearances being made by Will Riker and Deanna Troi of
TNG. The
Spatula
Forum
weblog
had
what
was
probably
one of the best takes on how it crash landed. And from
the looks of things, it's most likely that it'll all be
forgotten in less than another year.
The man without even minor fear!
When the second Green Lantern, Hal Jordan, made appearances in
Action Comics at the
time it went weekly, during the 1988-89 period, Peter David
wrote a story in which it was claimed that Abin Sur used his
power ring to omit any real fears he might have, thereby
making him 100 percent courageous!
Even if this storyline didn't contradict the fact that Hal
Jordan was as brave as is possible for a plane pilot to be,
that it should have been implied that Abin Sur erased/took out
any fear from him whatsoever simply didn't make much sense, or
was simply so redundant that to write that notion there was
trivial at best.
Besides, there were more than enough times when Hal felt
worried in this way or that, and if he were really as fearless
as this odd story seemed to imply, he'd be an emotionless
wreck!
Just one simple reason why it's largely been swept under the
rug as of today. By the end of David's run, which came in
between that of James Owsley (Christopher Priest), it was
already being abandoned.
Like mother, like daughter! (Plus: Genie in a fix!)
In 1983, DC needed to offer an explanation on why the Black
Canary didn't age and stayed as young and hot and sexy as she
is, plus why Johnny Thunder left the Justice Society of
America in All-Star Comics
at the same time as his feature in Flash Comics ended to make way for the
Canary's in 1948. So Roy Thomas, who was guest-writing Justice League of America
at the time, along with his regular work on All-Star Squadron, the
series he was mainly writing at the time, took up the
assignment of dealing with an answer to this, which resulted
in the following, from JLofA
#219-220, the penultimate team-up of the Earth-1 and
Earth-2 superheroes. The premise was based on the story
written by Denny O'Neil in 1969, that being the battle with
the living star entity Aquarius in Justice League of America #73-74 ("Star Light, Star Bright, DEATH
STAR I SEE TONIGHT!" and also "Where Death Fears to Tread!"),
and was intended to place a retcon in between that two-part
story and the 75th issue that followed, which would also be
used to explain why Dinah developed her famed Canary Cry.
This was a follow-up to the adventure written in 1965 ("Earth without a Justice
League!" and also "Crisis
on Earth-A!"), and even to the first crossover
between earths ("Crisis on
Earth-1!" and also "Crisis
on
Earth-2!") from 1963, since the Champions of Crime
were also being featured. During an adventure in which Johnny
Thunder, then living on Earth-2, learned that there was a
doppelganger of himself on Earth-1, he thought to go and take
a closer look at what this duplicate of himself was like.
Which turned out to be quite a displeasure, since this
alternate-earth counterpart of his turned out to be a crook,
and not only that, he was able to influence Johnny's faithful
genie-partner-in-crimefighting, Thunderbolt!
Just like that last time when they met, Earth-1 Johnny
succeeded in knocking Earth-2 Johnny unconscious, and then
forced T-Bolt, who felt bad about it but was helpless to
disobey orders, let alone try to hold out for as long as he
could on some of them, to stifle the good Johnny with an
electro-gag, then teamed up with some of the villains from
both earth-dimensions to take over Earth-1, by having T-Bolt
bring everything to a standstill in time-like details, and put
the JLA in a magical sleep, then, the pairings of Chronos and
Fiddler, Felix Faust and the Wizard, and Icicle and Dr.
Alchemy's evil clone (yup, there was one introduced at the
time in 1980) started making those kooky bets on if they'd
manage to do this and that to the superheroes of Earth-2 who
were trying to stop them.
That's all in the first part ("Crisis in the Thunderbolt Dimension!").
It's in the second part ("The
Doppelganger Gambit") where things really start
getting told. While Black Canary and Starman were
investigating, evil-Johnny ordered T-Bolt to capture them and
take them to the Thunderbolt dimension, where evil-Johnny was
also holding good-Johnny captive and gagged, and while there,
evil-Johnnny showed them a glass coffin he'd found there,
which contained Larry Lance, BC's late husband, and also, what
appeared to be BC as well! Understandably, Dinah was confused,
and so too was Ted Knight. Indeed, what was going on here?
Well, T-Bolt had the answers:
Years before, as he explained to them, there had been a case
on which BC and JT were working on, concerning a bunch of
plane-bound thieves who were trying to get away with some
stolen loot. Unfortunately for the pink-and-violet colored
genie, the crooks threw a lightning rod at him that caused him
some momentary damage, and also made it difficult for
goofy-minded Johnny to summon up his faithful genie partner at
ease. He was mad and told the genie that he was unneeded now,
and with Black Canary as a gal-pal now, who needed T-Bolt as a
crimefighting partner. The genie was disappointed with this
unjust slam against him, but did not try to argue, and simply
said that, next time Johnny needed him, to just holler.
But it would be awhile before Johnny did, and until then, not
only did he drop out of the Justice Society, having become
indifferent without T-Bolt's full aid, but Dinah Drake was
becoming won over by Larry Lance, the detective who often
worked out of an office in her florist's shop, much to
Johnny's dismay. Dinah tried to tell him that she did like him
all the same, though only on a friendship level, but Johnny
was simply unsatisfied, and drifted away from her for a time.
During that time, when Dinah and Larry were married, they had
a daughter who was also named Dinah, the one we know today
who's middle name is Laurel, and unfortunately at the time,
the Wizard, a notable nemesis of the JSA (and former member of
the aforementioned Crime Champions), found out her secret
identity as the Canary, and came to seek revenge by putting a
curse upon their darling daughter, which was to emit a sonic
wave when she cried out loud in fear, as she did when the
Wizard was there to ply his menace.
Something
had to be done. So Dinah Sr. turned to Johnny Thunder, who in
turn summoned up T-Bolt, the magic command having improved
after awhile, and the genie took up the task of keeping Dinah
Jr. stored in his own dimension in comatose effect until she
was in her late teens. And then, for a time, T-Bolt made
Dinah, Larry, and even Johnny himself forget about the young
Dinah's existance, apparently so that they wouldn't have to
live in mourning over not being able to raise their daughter
themselves. During that time, Johnny mended the fences with
the Lances, and became good friends with them again.
Meanwhile, as the evil Johnny of Earth-1 was planning to force
T-Bolt to put Black Canary and Starman to death, the good
Johnny of Earth-2 thankfully managed to undo the electro-gag
with the help of some electro-beings in the dimension, and was
thus able to stop the evil doppelganger from carrying out his
evil plans, dealing him a nice good sock in the face, and
everything was set right on Earth-1 again, with the JLA coming
out of their sleep, and together with the JSA they rounded up
the villains of both earth dimensions. And Johnny certainly
managed to give the crooked version of himself the clocking he
deserved, knowing what he'd done to him back in 1965, when
they first met!
Superman and the Spectre then arrived in T-Bolt's dimension to
round up the evil Johnny, and to escort the good Johnny and
Black Canary and Starman back to the regular world, and the
Man of Steel explained and revealed to Dinah that, when
escorting her mother to Earth-1, it was discovered that she
too, just like her late husband, had suffered fatal radiation
effects from the energy sphere that Aquarius launched at the
superheroes fighting him at the time, and it was decided to
take her to T-Bolt's dimension where she could retire
alongside Larry. And what happened then was that, seeing her daughter, now mostly in
grown-up form if still in a coma effect, and what a lovely
young lady she'd become too, the three of them decided to
enable Dinah Jr. to take her mother's place, installing her
mind with the memories of her mother, and giving her a similar
costume to wear. And when it comes to the sonic scream effect
the junior Dinah possessed that the Wizard put upon her, you
could very well say that the curse was turned into a blessing!
And until 1983, none of them ever told Dinah Jr. the truth
about herself, deciding that she was better off continuing to
think that she was really her own mother. She forgave them for
concealing the truth about her own origins from her, but asked
Superman to let her be the one to tell Green Arrow when
meeting him again.
The upside: what's
amazing about this EYKIW story is that it makes even more
sense than you think: look at Dinah as drawn by Neal Adams in
the early 1970's, for example: she certainly did look like a
chick in her early 20's, didn't she? Whatever kind of beauty
products she used, it doesn't take genius to tell that the
Blonde Bombshell was, even then, a very young, lovely girl who
wasn't as old as you'd probably expect for a character first
created in 1947. So it actually did make sense to reveal that
this was really the offspring of the original Canary, and the
Canary Cry was explained by this too.
The downside:
unfortunately, the problem with how it was done here was that
it made the Canary's story look almost Oedipal in nature. One
has only to look at all those stories where you would see
Dinah reminicing about her "husband" when it was really her
father she was thinking about! Eep. As a result, it does
sadly, to some extent, make some of the Bronze Age stories of
the times look embarrassing in retrospect.
And, when it comes to Johnny Thunder, it really didn't cut it
to have him develop a rift with his faithful genie partner in
crimefighting, as was told here, simply because of a mishap
caused by a lightning rod.
Today, while it's already old news that the Canary we've known
since 1969 is really the daughter of the original, the story
as presented in these issues has been largely retconned in and
of itself, with Dinah Jr. now written as having grown up
normally, taking up the mantlepiece her mother cast aside when
retiring from crimefighting at the age of 19, and not only
that, her mother was restored to life until possibly 1999,
during which time she passed away off-panel, probably around
the same time that Solovar, the original leader of Gorilla
City, was slain by Grodd in the pages of the JLA. As for Dinah
Jr, she's since been more ideally reworked, if anything, as
something of a daddy's girl, though nowadays it seems as if
she thinks about former boyfriend Green Arrow much more than
her father these days. And the Canary Cry, to say the least,
was written as being the result of exposure to special energy
from the Golden Age Green Lantern Alan Scott's power ring,
quite by accident, when she was young. Most of this was more
fully established in the last issues of Secret Origins
in 1990.
Speaking of which, Larry Lance's death still holds in more or
less the same way as before: he died in JLofA #73-74 in the
battle with Aquarius in 1969, and today, that story is
actually still around, though it's been mostly reworked, in
which Dinah Sr. came out of retirement along with several
other JSA members to help battle the giant star-humanoid
villain, and Larry joined in to help, and sadly bit the
bullet. And this ended up driving Dinah Jr, who loved her
father very much, away from her native Gotham City to the west
coast for many years, where she lived in the same area, Star
City, as her then boyfriend Ollie Queen, since she couldn't
bear living in her native city with the knowledge that her dad
was now gone. In the mid-90s, she returned.
And when it comes to Johnny Thunder, it was written that, due
to the meddling of some Bahdnesian sorcerors, this ended up
causing his ability to summon up T-Bolt to be paralyzed until
he could figure out how to set the problem right again, and
then, Johnny and genie joined forces to put a stop to the
villains responsible, who were also trying to take over
Bahdnesia, and restored democracy there. And while he may have
only gone as far as common-law marriage when tying the knot
with a ladyfriend of his, he eventually settled down with a
gal-pal of his, and adopted a daughter who followed in his
footsteps as a crimefighter to some extent later on too.
Clone Bores!
Back in 1983, same year as the above retcon by Roy Thomas and
Chuck Patton was published, John Byrne wrote a story in the Thing's solo book from
then in which Crystal's faithful pet dog, Lockjaw, was
revealed to have been an Inhuman himself, which can be found
in the
section for awful stuff. This story, published in the
Sub-Mariner's series from the early 90s, in Namor: the Sub-Mariner #20 from November 1991, while far
from being as abominable that earlier stinker that Byrne
coughed up, was still pretty pointless, with Namorita Prentiss
finding out in a story titled "My Mother...Myself," that she's a clone of
her mother, Namora! Good grief, what'll they think of next? If
anything, it was totally meaningless, if at all. For heaven's
sake, even when Black Canary turned out to be the daughter,
not the mother/original, in Justice
League of America #220 in 1983, made more sense than
this!
Today, there's another story that I don't think is considered
important to continuity anymore, and has been largely
forgotten, presumably becoming a Mopee. But even so, this was
just one more hideous example of how John Byrne's writing
skills were really starting to become waterlogged by then. And
by now, when he get reduced to writing mostly hack work over
at DC and elsewhere, that's when you know something's wrong.
Stud Muffin in Space!
Alan Moore was on a roll
when he wrote the Swamp
Thing's second volume for about 3-4 years in the mid
80s. But while I'm not sure if he was actually the one
responsible for reworking the background for the planet Rann,
the adoptive homeworld of earthman Adam Strange, and the home
of leading scientist Sardath, father of Alanna, Adam's lovely
wife, I do have my reservations on what to think of the notion
that Gotham City native Adam was teleported to Rann in hopes
of serving as a "breeding stud" to help revitalize the
population of Rann, which was suffering from a derth of solid
births (and even insufficient plant growth, which the Swamp
Thing was asked to help try and repair), by having children
with Alanna, if anything.
While I did once read the
issue in which Swampy met Adam and Alanna from March 1987, and
a Thanagarian named Keela-Roo did seem to imply something like
that (not that Adam understood it himself though), I'm not
sure if Moore himself had actually done the revamp, although
he certainly did lay out the groundswork for it: in 1990,
Richard Bruning wrote a prestige format miniseries in which
Adam certainly made this discovery, and to make matters worse,
Alanna was killed off, their first child with them.
Now aside from the fact that I find the story as Bruning
turned out distasteful, perhaps even more so than what Moore
wrote up in his time, the main problem I have with the overall
revamp, if not retcon, is that it trashes the characters and
their worlds, and eschews the creativity of becoming parents
for the sake of the kind of shock value tactics that seem to
have risen to becoming a sad staple in the early part of the
21st century, as was made apparent with Identity Crisis, DC's
now very notorious miscue.
One sure thing: if there's anything that this could teach us,
it's that simply put, you can't "update" characters like Adam
Strange. They're the product of 1950's sci-fi features, pure
and simple, and you can't do it without ruining the overall
concept of space adventure.
That story by Bruning, and possibly even Moore's bit in Swamp Thing from 1987,
are today largely discarded, as the Return of Adam Strange miniseries of 2004
has shown. Alanna, to say the least, is alive and well, with a
daughter born to both her and Adam, and in fact, the planet's
scientific researchers have taken steps to fix the effects
that the Zeta-Beam had on him, constantly teleporting him
between Rann and earth. Thus, it appears that he's able to
enjoy a much more comfortable life now, without having to be
bothered by any Zeta-ray transfers at the wrong moment.