Graytness
Marvel Visionaries, Peter David:
The Incredible Hulk Vol. 1
Writer: Peter David
Artist: Todd McFarlane
August 11, 2006
By Avi Green
Back in the late 1980s, The
Incredible Hulk risked cancellation because few at Marvel
at the time had any interest in writing it. Al Milgrom was one of
the last to work on writing the green goliath’s adventures before
they got around to looking to see if there was anyone who could
continue. Bob Harras found that role in Peter David, who’d just
begun his career as an editor at Marvel at the time, pairing him
with Todd McFarlane, who was just coming off of his role as the
artist of Infinity Inc.
David, whom Harras said could take the book in almost any direction
he wanted, decided to start out with a story arc that was a harkback
to the green goliath’s beginnings, and the originally intended
color, gray, before the printing error encountered at the time
turned the Hulk green instead. It’s also worth noting that, when
David first began writing, Rick Jones had been turned into a Hulk
himself, following an accident in which Bruce Banner had been trying
to cure himself of his own alter ego. But, with Rick now a Hulk
himself, Bruce, not thinking very carefully about the consequences
and against the wishes of his wife Betty Banner, whom he’d married
just the year before, thought he should turn himself back into the
Hulk again, using some of the equipment he stored in the cave near
the science base where he’d first been turned into the jade giant,
and whaddaya know, the Hulk side of Bruce overpowered him, and took
over again.
During this story arc of the gray Hulk, David also re-explored the
intial setup, in which Bruce only turned into the Hulk at nighttime
(and Rick Jones, during his own brief stint, also only seemed to
turn into one at night too), before an extra burst of energy from
the sun during a short trip in orbit (read the original stories to
understand that part) made it possible to change into the green
goliath at any given moment. Rick’s own stint lasted briefly, as not
only was he cured of being a Hulk himself, but the gamma radiation
energy he’d been infected with served to restore power to Samuel
Sterns, the Leader, who’d lost much of his power at the time, and
was hoping to find a way to regain it, which he got with assistance
from the Hulk himself in one of his more arrogant moods. He emerged
(and escaped) from this scene more powerful – and meaner – than
ever, returning to his criminal activities to plot more sinister
schemes.
During this time, David came up with a few new villains and
adversaries, such as Mercy, an insane alien woman who was trying to
“cure” Bruce of his problems, and Half-life, a gamma-irradiated
English teacher, designed in part as a tongue-in-cheek concept, who
was pursuing the Hulk because he held him responsible for his own
irradiation and half-dead state from gamma rays in an entirely
different occurance. Bruce of course ended up having a rift with
Betty, who at one point ran off with an old boyfriend of hers before
trying to reconcile with Bruce later. And, there was the conspiracy
thriller story here, in which, due in part to what Half-life told
the Hulk about his fate, that the Hulk soon discovered corruption in
S.H.I.E.L.D, with a couple of agents who’d formed the Hulkbusters
team at the time plotting to murder Bruce Banner to get him out of
the way of interfering with secret chemical experiments that could
create even more Hulks, and Hulk of Bruce Banner, to say the least,
would rather that there be just one. So, with the help of one
S.H.I.E.L.D agent who’d initially gone along with the evil plot
before defecting, Bruce and Rick set off to investigate and to set
things right again.
One of the best parts here for me was when the Hulk kicked the crap
out of a corrupt, wife-beating police chief in New Mexico, much to
the pleasure of the townsfolk who’d been betrayed and insulted by
this jerk in uniform. And the tongue-in-cheek parts worked out
surprisingly well here too. The story also gives some good attention
to X-Factor, whose series
David was also writing at the time, including the lovely Jean Grey.
And looking at McFarlane’s early work as an artist, I must say that
it was actually pretty good for artwork done at the time, before
he’d bolted to co-form Image and his career degenerated into hack
work. If he’d come back and do artwork like he did back then, I’d
say that maybe he’d have a good chance of making a real comeback.
This is a very good compilation of what served as a takeoff for
David as a writer, and is very recommended for reading.
Copyright 2006 Avi Green. All rights reserved.
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