The Best
Bicentennial Suspense Story
May 24, 2005
Captain America and the Falcon:
Madbomb TPB
Writer/Artist: Jack Kirby
By Avi Green
Following his early 1970’s stint at DC Comics, during which time he
created the New Gods, Jack
Kirby returned to Marvel to work on some more comics stories,
including one for his most famous creation, Captain America. And for
issues 195-200 of Cap's own solo series, he put together one of the
best suspense stories for the Star-Spangled Avenger and his partner
in crimefighting, the Falcon, in which they had to stop a Cold War
plot to devastate the United States through…madness!
The story first begins as Cap and Falcon are in the apartment of the
latter’s girlfriend having coffee during a break from crimefighting,
and it’s then that the “madbomb” first suddenly hits with menacing
force, causing a whole street full of people to go destructively
berserk, tearing down the whole neighborhood block. Cap is lucky to
succeed in destroying it before it can cause any really serious
damage, even to him. And that’s just the beginning of the great
story ahead, as both he and the Falcon are then approached by a
S.H.I.E.L.D agent who directs them to a special army base, where
they’re given an explanation of the sinister plot that’s been
discovered to launch a giant madbomb attack on the whole United
States on the eve of its bicentennial since the declaration of
independence in 1776, courtesy of an underground gang led by a
ruthless supremacist named Taurey, who’s descended from a British
collaborator during the war with Britain in the 18th century, who
was riding to inform the enemy of an American raid, and was defeated
in a duel by a forefather of Steve Rogers, who is none other than
the Star-Spangled Avenger, of course!
Until then, Cap and Falcon’s first assignment is to investigate the
disappearance of several S.H.I.E.L.D agents in a section of the
Arizona desert, and soon come upon an underground society that deals
in brainwashing people for world domination, and even features
Most-Dangerous-Game style violence fights, with many of the
contestants using advanced skateboards to combat the rival teams
with in a giant kill-derby inside this underground society. And Cap
too must take part in this kill-derby in order to retrieve his
shield after it gets stolen by one of the kooks taking part, until
the US Army can locate and raid the underground HQ to stop the
baddies. This offers us one of the best action episodes that Kirby’s
written, with plenty going on.
After bringing down the underground HQ of the villains, Cap and
Falcon’s next assignment is to search for a scientist who’s involved
in building the madbomb, and this leads to a mansion in upstate New
York that’s being run by Taurey’s mob, and it’s here that Cap meets
the daughter of the scientist, who’s suffering from a potentially
fatal illness, and most of the staff running the place, while not
literally treating her like dirt, is still far from being kind to
her. Cap works out a plan to spirit her away from the mansion the
next day, while Falcon and the feds take care of raiding the
mansion, and the two get to know each other, even if it’s far from
being the love story the title makes it sound like. And pretty soon,
when the scientist himself escapes from the Taurey gang, who’ve
decided to bump him off, seeing him as having outlived his
usefulness, the heroes are ready to take on the bad guys full force
for the showdown, and rid the country of the madbomb threat that
menaces it once and for all.
This was one of Kirby’s best works as a writer and an artist, though
there is one flaw he performed in the latter task: it’s the part
where Cap is taking some papers from the secretary of state, and the
word balloons are applied to the wrong figures, or the figures
themselves are reversed. Other than that, it’s all very well drawn
in his trademark “swipe art” fashion, and the scientist’s daughter
is drawn very well too in Kirby’s good-girl-art style.
And even today, it comes as one of the best suspense stories set
around the time of America’s bicentennial.
Copyright 2005 Avi Green. All rights reserved.
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